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Declaime & Madlib – “In the Beginning, Vol. 1” (Album Review)

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This is the 11th full-length album from Oxnard veteran Declaime. Debuting on “WLIX” off Tha Alkaholiks’ sophomore album Coast II Coast in 1995, it wouldn’t be until 2001 when Dudley Perkins started putting out albums under his own name by dropping Andsoitisaid. Last we heard from him was in 2017 when he released Young Spirit but as the 4 year anniversary of that album approaches next month, dude is unearthing 13 joints that were recorded with longtime collaborator Madlib from 1993-1996 & putting them out to the public in the form of In the Beginning.

“Enuff” kicks things off with Declaime & even Madlib himself jump on top of some bass licks & handclaps talking about not letting stress wound, but then “One on One” works in a lo-fi beat & battle rap lyricism. The pair later go into boom bap territory on “Cool Ways” saying he’ll never slip up whereas “2 to da Head” has these dusty drums & what sound like Seagull noises addressing the days we’re living in.

Meanwhile on “Madman”, we have Dudley giving us a rowdy look at someone who’s insane before diving into the “Declaime Speaks” interlude as well as the fuzzy “Black” taking jabs at the racist system. “Wake Up” is yet another boom bap cut themed around battle rap while “Out Like Dat” has these vinyl cracklings throughout it’s 2 minute run & Declaime saying there’s no turning back when you hit the street.

After the “Meltdown” interlude, the track “All Over the World” with M.E.D. serves as a funky crowd-mover propping up both the West & the East while the last actual song on the album “2 MC ‘95” is a keyboard-laced take on the Hamlet quote “To be or not to be”. Then there’s “Outrose”, which serves as a 2-minute instrumental piece to finish the album off.

Although the material In the Beginning presents to us was recorded 25-28 years ago, it still sounds really good now & that shouldn’t come a surprise given how well these guys have bounced off each other in the past. Madlib’s production is much more rawer on here & the topics that Declaime covers range from social commentary to braggadocio.

Score: 8/10





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Mr. Lif Joins Eternia & Rel McCoy for “The Story of Us” Feat. Eliki

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Bound by their love for hip-hop and each other, Eternia and Mr. Lif share “The Story of Us” for the latest single off Eternia and Rel McCoy’s collab LP, FREE. The track boasts Rel’s warm production paired with gripping rhymes from Eternia and Lif who explore their lives leading up to the day they met. It’s a beautiful track made all the more stunning with Eliki’s haunting vocals.

The Story of Us” is available now through all major digital retailers and streaming platforms and can be purchased for instant-grat off the duo’s forthcoming collab LP, FREE, which is set to drop next Friday, Sept 24 via Fat Beats. In addition to Lif, the 12 track LP includes guest appearances by Shad, Wordsworth, SHEAL, Phoenix Pagliacci and more, and will be released on vinyl in limited quantities.






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“Dear White People’s” Logan Browning And John Patrick Amedori Talk Vol.4

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Ruh-Roh! Are “Dear White People” sweeties Sam and Gabe hitting a bump in the road this season?

Dear White People Vol. 4 episodic still

Source: Lara Solanki / Netflix

BOSSIP’s Sr. Content Director Janeé Bolden spoke with “Dear White People” stars Logan Browning (Samantha White) and John Patrick Amedori (Gabe Mitchell) about Vol. 4 being a musical season and their reaction when they first found out. Needless to say, the actors were happy about the news.

“We’ve always talked about a musical episode and how fun it would be so when they decided to do a whole season what was I going to say, ‘No’? ” Amedori recalled to BOSSIP. “We were given the opportunity to be in a musical. Come on, let’s do it. ”

Dear White People Vol. 4 episodic still

Source: Lara Solanki / Netflix

When asked about his favorite song to perform this season he didn’t hesitate to answer with N’Sync’s hit breakup jam: “Bye, Bye Bye.”

“Absolutely ‘Bye, Bye, Bye’!’ Amedori’s co-star Logan Browning chimed in.

“That was also really good too because, Logan and I the way we work together, from the previous recording to the day of shooting we kind of choreographed, well our choreography within the fight, and let us do the scene as a real fight with how we felt, it just felt really good it kind of came together, that’s definitely a highlight for me,” Amedori told BOSSIP.

Dear White People Vol. 4 episodic still

Source: Patrick McElhenney / Netflix

For folks who aren’t fans of the show, Browning and Amedori both play film students/filmmakers and much of Vol. 4 revolves around their projects and what they decide to keep and leave out. We had to ask if there were things from the actual show that they were sad to see cut from previous seasons.

“I definitely have things that didn’t make it, but,” Browning paused before telling BOSSIP. ” No that would be a spoiler. There is something — there are things.”

“In general, at least I know joke-wise, I know that nobody was safe ever and I really enjoyed that aspect.” Amedori told BOSSIP. ” There was never a moment of ‘was that too much?’”

“I know, ” Logan interjected. “So we shot episode 8 of season two, part of one scene as a oner — where John Patrick and I and the camera operators were all moving in tandem, which we all thought was going to be one long cut. It ended up being cut up, which worked for the episode, but we were doing it so they wouldn’t have to cut but that’s very ambitious. That was one thing that was very hard to shoot.”

Sounds intense right? Well these two actors are very intense about their craft.

“We loved it!” Browning told BOSSIP.

“We couldn’t wait,” John Patrick Amedori added. “We spent an entire night going over it so by the time we brought the crew in to watch the rehearsal, we went full board we were 110% the entire time. We were ready to go. We were doing a performance.”

Dear White People Vol. 4 episodic still

Source: Courtesy Netflix / Netflix

The show is named “Dear White People” after Browning’s character Sam’s controversial radio show. In the final season, Sam continues to catch hell from other Black students for her interracial relationship with Gabe. As “Dear White People,” primary white character we wanted to know what Gabe learned in the show’s four seasons.

“He’s a guy who steps in it along the way,” Amedori told BOSSIP. “He steps in it in a relationship with a girl that he’s madly in love with, he messes it up and she forgives him. To know that he means well. That’s her nature. It’s a good balance for them being in the relationship because when he puts his foot in his mouth he’s essentially putting both of their feet in her mouth.”

Amedori’s unintentional play on words draws laughter both from BOSSIP and Browning, who responds, “That is very John Patrick. I don’t know what made me go back and look at an interview we did at the Paley Center and your answers to this question were so sus, I was like cracking up.”

“I have weird metaphors that start turning in my brain,” Amedori explained to BOSSIP. “They make sense to me and I just hope that they make sense. Which is kind of how I exist as a person.”

Amedori finished his thoughts by saying he didn’t think Gabe would be the person he ends up being (this season also includes a look at most of the key characters 20 years in the future) without having known Sam.

Watch the full interview below:

We’ve really enjoyed watching this relationship blossom over four seasons and can’t wait for the rest of the world to see how Vol. 4 plays out.

New episodes of “Dear White People” arrived on Netflix this Wednesday, September 22!





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NEW MUSIC: Ne-Yo – “What If”

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Ne-Yo What IfNe-Yo has returned with a brand new single called “What If”.

No word on what forthcoming project this song will appear.

Listen below via Apple Music:

The post NEW MUSIC: Ne-Yo – “What If” appeared first on Fresh: Hip-Hop & R&B.



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