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10 Times Police Brutality Struck A Nerve Within Hip-Hop



Photo Credit: Jeff Kravitz/FilmMagic

In light of the ongoing protests and calls for justice worldwide, we look back on 10 instances where rap artists were inspired to speak out against police brutality and corruption on wax.

In hip-hop, “fighting the powers that be” is a sentiment and call to action that is all too familiar. Before and after Chuck D and Public Enemy helped coin that phrase with their seminal 1989 contribution to the Do The Right Thing soundtrack, hip-hop artists have spoken on the strained relationship between the criminal justice system and the Black community, with law enforcement being the main target of that ire.

During the ’80s and ’90s, the anger built from decades of watching minorities being victimized by those sworn to serve and protect began to spill into the lyrics of rap’s biggest stars. From acts like N.W.A. famously taking the LAPD and other police departments across the country to task with the incendiary salvo “Fuck tha Police” in 1988 to KRS-One undressing African-American officers abusing their power on “Black Cop” in 1993, artists from all regions aired their grievances with the racially-motivated tactics of the boys in blue.

However, specific instances, such as the assault of Rodney King, as well as the murders of Amadou Diallo, Sean Bell, Oscar Grant, Mike Brown, Sandra Bland, Jeremy McDole, and countless others at the hands of the police have sent the hip-hop community into a rage. The pain and suffering as a result of those tragedies have accounted for some of the most impassioned songs denouncing various law enforcement agencies and calling for reform — if not abolition — of police forces nationwide.

In 2020, the murders of George Floyd, Breonna Taylor, and others in police-related deaths have reminded the hip-hop community that the fight against those forces must continue in order to take back power and turn the system upside down.

In light of the ongoing protests against racial inequality and calls for justice worldwide, Okayplayer looks back on 10 instances where hip-hop artists were inspired to speak out against police brutality and corruption on wax.

Main Source — “Just A Friendly Game of Baseball” (1991)

Source: Artist

Police brutality garners comparison to America’s favorite pastime on this cut from rap group Main Source’s Breaking Atoms album, with Large Professor using baseball jargon to describe the various ways that cops victimize members of the Black community. Proclaiming that his “life is valuable” and threatening to protect it at all costs, Large Pro and Main Source aim their ire at law enforcement on this oft-overlooked analysis of the relationship between Black and blue.

Dr.Dre, Snoop Dogg, Daz Dillinger, & RBX — “The Day The Niggaz Took Over” (1992)

Photo Credit: Jeff Kravitz/FilmMagic, Inc

The anger that engulfed Black America after witnessing the murder of George Floyd at the hands of a white police officer resembled the vitriol that came as a result of the not guilty verdict in the Rodney King case in 1992, which was conveyed on The Chronic cut “The Day the Niggaz Took Over.” Dr. Dre, along with Snoop Dogg, Daz Dillinger, and RBX, helped provide the perfect hip-hop soundtrack for looting and rioting and breaking off the police force and their co-conspirators with a dose of their own medicine.

KRS-One  — “Sound Of Da Police” (1993)

Source: Artist

For minorities, the wail of a police siren has been synonymous with danger for far too long, which rapper KRS-One touched upon in 1993, on “Sound of da Police,” from his debut solo album, Return of the Boom Bap. Addressing law enforcement’s penchant for racially profiling and antagonizing young black men and women under the guise of protecting the community, the Blastmaster also takes those from his own community to task for joining The Blue Wall, making for one of the more enduring rallying cries aimed against the authorities.

Geto Boys — “Crooked Officer” (1993)

Source: Artit

In the wake of the Rodney King verdict the year before, the Geto Boys were one of the rap acts to verbally seek out their own pound of flesh against the police with the incendiary track “Crooked Officer.” Voicing their rage with emboldened threats against all branches of law enforcement, the Houston rap trio joined in with their Western and Eastern counterparts to put a spotlight on the abusive relationship between people of color and police departments across the country.

Hip Hop for Respect — “One Four Love” & “Protective Custody” (2000)

Source: Artist

On “One Four Love,” from the 2000 project Hip Hop for Respect, several rap stars team up to fight the powers that be, in response to the 1999 murder of Guinean immigrant Amadou Diallo, who was shot 41 times by NYPD plainclothes officers in the Bronx. Calling for justice within the black community in light of the police brutality running rampant, rappers Doug E. Fresh, Pharoahe Monch, Common, Kool G Rap, Posdnuos, Rah Digga, Shabaam Sahdeeq, and Sporty Thievz joined Talib Kweli and Yaasin Bey in their quest to unify the people and cast aspersions on law enforcement.


Another song from Hip Hop for Respect, an EP that struck a chord with the public was “Protective Custody,” which paired Talib Kweli and Yaasin Bey with fellow sociopolitical-minded rappers.
Featuring Breeze Brewin, Donte (of Mood), El-P, Imani Uzuri, Jah-Born, John Forté, Main Flow, Mr. Khaliyl, Mr. Len, Nine, Punchline, Tiye Phoenix, and Jean Grae, “Protective Custody” saw the succession of spitters giving their critique of corrupt officers policing their community and lamenting the lack of justice afforded to blacks.

dead prez — “Police State” (2000)

Source: Artist

The mobilization of law enforcement to carry out the plans of clandestine figures in the shadows of society is no secret, a topic rap duo dead prez brought to the forefront of the conversation with “Police State.” Included on their 2000 debut Let’s Get Free, “Police State” delves into the various tactics that cops and their cohorts use to surveil and prey on the Black community, particularly the violence committed in the name of upholding American values.

See Also

The Coup & T-K.A.S.H. — “Pork and Beef” (2001)

Source: Artist

The Coup’s Boots Riley lets the listeners know exactly what’s on the menu with this takedown of police brutality, from the group’s 2001 album Party Music. Speaking on the nefarious inner-workings of the justice system, Riley and rapper T-K.A.S.H. urge the people to band together and inflict their own damage on our foes on patrol with this revolutionary call to arms.

 Cassidy, Drag-On, Styles P., Talib Kweli, & Maino — “Stand Up” (2008)

Source: Artist

Hip-hop showed up in a big way following the death of Sean Bell, who was murdered on November 25, 2006 after NYPD plainclothes and undercover detectives fired fifty rounds into his vehicle on the morning of his wedding. One song that not only paid tribute to Bell’s life, but vilified the officers involved — who were found not guilty in 2008  — was “Stand Up,” featuring Cassidy, Drag-On, Styles P., Talib Kweli, and Maino. Released in May 2008, just weeks after the verdict was announced, “Stand Up” channels the anger and disbelief that accompanies the devaluing of black life in the eyes of law enforcement.

Killer Mike — “Don’t Die” (2012)

Killer Mike Soundset 2019
Photo Credit: Shaughn Cooper for Okayplayer

Killer Mike spins a riveting tale about being the target of an intense manhunt after defending himself from trigger happy policeman on “Don’t Die,” from the Atlanta raptivist’s 2012 effort R.A.P. Music. From the onset of the song, when he wakes up to the sight of a firearm aimed squarely at his face, Killer Mike laments the fervor with which law enforcement hunt down Black people, but refuses to be victimized and goes full Larry Davis, putting forth a triumphant number that scoffs in the face of fear.


Preezy Brown is a New York City-based reporter and writer, filling the empty spaces within street and urban culture. A product of the School of Hard Knocks, Magna Cum Laude. The Crooklyn Dodger. Got Blunt?


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NEW VIDEO: Kehlani – “Altar”



Kehlani Altar videoKehlani has dropped off her brand new single called “Altar”. It comes with an accompanying video.

This song will appear on her next studio album Blue Water Road, which will hit stores this Winter.

Listen and watch below:

The post NEW VIDEO: Kehlani – “Altar” appeared first on Fresh: Hip-Hop & R&B.

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Get A Sneak Peek At The Finale Of “We Got Love Teyana & Iman”



We Got Love Teyana & Iman key art

Source: Courtesy NBC Universal / NBC Universal

It seems like the season flew by so fast for “We Got Love Teyana & Iman” but the finale episode airs tonight and we couldn’t be more excited to share some sneak peek clips for your viewing pleasure.

The first clip gives an exclusive behind the scenes look at Teyana’s day on set with Maxim shooting her “Sexiest Woman Alive” cover. The cover was shot by Gilles Bensimon, who makes an appearance. Anyone who follows fashion or has watched a season of “America’s Next Top Model” understands how monumental that is. What’s even more monumental though is that Teyana made history with this particular magazine shoot by becoming the first African-American woman to grace the cover of Maxim. Wild right?

Now what the clip didn’t show was when Teyana and Iman’s adorable daughter Junie tried to steal the show. Fortunately Teyana posted it on her page.

Check out more clips from the finale when you continue.

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Watch Beyonce and Jay Z Elude Love In “Moon River” Visual!!!



Beyonce and Jay Z in the new music video “Moon River”. As the spokespeople for Tiffany & Co.’s About Love campaign, the Carters deliver.

Beyonce and Jay Z Send Visions Of Love In New Cover For Breakfast At Tiffany’s classic “Moon River”

Watch as Beyonce and Jay Z show their love via a new music video, “Blue River”.

Beyonce covers the song made famous in 1946 by Audrey Hepburn in “Breakfast at Tiffany’s”.

When the campaign first dropped in August, a photo spread depicted the powerhouse couple standing in front of the rarely seen artwork of Jean-Michel Baquiat.

The painting, titled Equals Pi, was the backdrop of Jay and Bey as she wore the massive 128-carat yellow Tiffany diamond.

Adding another element to the “About Love” campaign, the Carters also celebrated a bit of history.

As Bey became the first black woman to wear the iconic diamond.

The song in the video, “Blue River” is sung by the superstar as her husband, Hip Hop mogul, Jay Z looks at home videos of her as he waits for her return.

Set in times of old, you see Jay Z pecking away on a typewriter, and later an antique movie camera.

Looking every bit in love, the two deliver on the message that Tiffany’s is trying to portray…love.

Tiffany describes Beyonce and Jay Z as –

“an iconic couple…two of today’s most respected creative forces.”

As expressed by The Carters –

“Love is the diamond that the jewelry and art decorate.”

Beyonce and Jay Z are the perfect match for the Tiffany & Co. campaign.

Check out the video for yourself below by clicking on the photo.

beyonce and jay z

Hip Hop News Uncensored. It’s the best YouTube channel for Hip Hop.

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